Filmmaker Magazine
WEBBeyond the subjective design of the filmmaking—comprising not just what we hear, but how we understand the premise of any given scene—this is a catalyzing collaboration between Chalfant, storied veteran of both stage (Wit) and screen, and Friedland, a student of choreography who sought out a movement-based approach to the subject matter.
The New Nostalgia of Touch: The Best Adult Erotic ... - Filmmaker
WEBFeb 16, 2021 · Candy Flip and Theo Meow/Meow Meow – The Sad Girls of the Mountains . Only a few minutes into The Sad Girls of the Mountains (Die traurigen Mädchen aus den Bergen), I had the deliciously disoriented feeling of having pretty much no idea what I had gotten myself into. Sad Girls is a black comedy feminist mockumentary eviscerating the patriarchy, activism, public attitudes towards sex work ...
Across Time: Filmmakers Reflect on Andrei Tarkovsky’s Mirror
WEBJul 12, 2021 · The Russian director’s 1975 Mirror would always be the second film on the program— Andrei Rublev and Mirror, Stalker and Mirror, Solaris and Mirror— so, I wound up seeing Mirror many times. This was partly due to fatigue. My day job was writing grants for a nonprofit. I’d see these movies after work and would invariably drift off during ...
Alexandre Rockwell on Restoring and Preserving the Unique Black …
WEBAug 1, 2017 · This year marks the 25th anniversary of Alexandre Rockwell‘s landmark indie In The Soup, which is currently crowdraising funds for a badly needed restoration and re-release.We’re happy to share this interview with Rockwell, …
Five Questions with Escape from Tomorrow Director Randy Moore …
WEBJan 19, 2013 · This is deranged, imaginative, destabilizing filmmaking – a magical film about the search for magic in a world devoid of any. Escape from Tomorrow premiered last night as part of the Sundance Film Festival’s NEXT Category. Preceding the premiere, Filmmaker got a chance to speak with Moore. Filmmaker: Tell me a bit about the genesis of the film.
Production - Filmmaker Magazine
WEBBy Filmmaker Staff on Aug 18, 2023 Filmmaking. “I Think We Sampled 100 Pinks”: Production Designer Sarah Greenwood and Set Decorator Katie Spencer on Barbie. Neither Barbie production designer Sarah Greenwood nor set decorator Katie Spencer had Barbie dolls growing up. “Or a DreamHouse, or anything,” recalls Greenwood, who joined ...
“This Particular Film Felt Like Whittling Down a Single ... - Filmmaker
WEBJan 21, 2024 · The feature debut of writer-director India Donaldson, Good One follows 17-year-old Sam (Lily Collias) during a weekend camping trip in the Catskills with her father and his oldest friend. As the two men continuously clash throughout their extended hike, Sam becomes uneasily aware of the frailty of male egos, even amid a landscape that ostensibly shields the group from broader societal pressures.
“Stanley Begged Us Never to Talk About Him”: On Making
WEBNov 19, 2014 · Otherwise I wouldn’t be here.”. Ironically, O’Neal pointed out how much Kubrick would have hated him giving interviews like this one. “Stanley begged us never to talk about him,” the actor recalled. “But he was our god. He’s gone now…I didn’t think he would ever die, I thought he would live forever.”. I wrapped up by asking ...
Pietro Marcello on Martin Eden , Influencer Culture and the ...
WEBOct 15, 2020 · Italian director Pietro Marcello has been making films since 2003, but his turn toward fiction films—first with 2015’s Lost & Beautiful and now with Martin Eden, an adaptation of Jack London’s 1909 novel—has gained him new admirers outside his home country and on the festival circuit.It is fitting, then, that just as his star is rising, he has crafted a cautionary tale about the perils ...
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